After unsuccessfully
having Kornelija as the model, I managed to find another model who was equally
as fantastic if not better. Zarah has lots of modelling experience and was very
comfortable with the idea of wearing just underwear. Her skin tone was very
different from my original model and I feel it works really well with the
brighter colours. Her complexion and facial features also allowed her to carry
a more theatrical makeup with ease.
What was particularly
challenging about this shoot was that I had one previously that day which took
about five hours to complete. The tiredness had to be quickly overcome and
Zarah was extremely understanding of my stress. My photographer stayed with me
all day and really supported me, which was a vast improvement from the previous
shoots.
We had some
difficulties with the studio booking and a misunderstanding occurred with
another student but was quickly resolved and our set up was moved to a
different studio.
In the end I decided
to use paint to represent the blood rather than foam. The paint had a really
glossy sheen, which added to the glittery aspect of the project’s aesthetic. As
expected it got a little messy and we really had to plan each position with
shooting then filming. Then once that position was complete the photography
lighting was set up to shoot again, and then altered for the filming.
Overall, I am really
pleased with the outcome of the shoot and how the concept looks in comparison
to the original images. I feel that her vulnerability is captured but in a
really glamorous, almost animated way. The only thing that does irritate me with
the images and footage is that the purple lips have a blue tint in the images
due to the photographer adding a filter on postproduction that I was unable to
match with the film editing.






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